He also developed a reputation for his partying lifestyle and for dating numerous actresses and models. Stewart continued to have a slicker, more pop sound as the decade progressed. charts with "Tonight's the Night" from A Night on the Town. The next year, he reached the top of the U.S. Stewart moved to the United States in 1975. That same year, the Faces had a hit with the song "Stay With Me." Career Highlights Stewart also performed as a solo artist and scored his first big solo success with the album Every Picture Tells A Story, which featured the hit single "Maggie May" in 1971. Ron Wood was one of his bandmates and became a member of the Rolling Stones. In 1969, he joined what became known as the Faces. The group toured the United Kingdom and the United States and released two hit albums. In 1966, he joined the blues-influenced Jeff Beck Group and experienced his first taste of success. He worked a series of odd jobs, including working as a grave digger, before his singing career took off.ĭuring the 1960s, Stewart was a part of several different bands. Born into a working-class family, Stewart excelled at soccer. Roderick David Stewart was born on January 10, 1945, in London, England. He experienced a career lull during the 1980s and only had a few hits in the 1990s, but came back strong singing the classics in the 2000s, winning a Grammy Award for best traditional pop vocal album in 2004. Moving to the United States in 1975, Stewart's hit songs included "Tonight's the Night" (1976) and "Do Ya Think I'm Sexy?" (1978). Embarking on a solo career, "Maggie May" became his first hit single in 1971. singles chart for its own five-week stay there.Known for his signature raspy voice, British singer-songwriter Rod Stewart performed in several U.K. 2, 1971, the single - officially credited as "Maggie May"/"Reason to Believe" - topped the Billboard Hot 100 for five weeks straight. In due time, everyone was following his lead, and on Oct. On a whim, he flipped the single over to play "Maggie May," and the phone lines lit up. Nonetheless, it was relegated to the B-side of lead single "Reason to Believe" and would've stayed there if not for disc jockey Murray Soul of Cleveland, OH-based station WMMS. "Nobody liked it, the criticism being that it had no melody," Stewart noted in Storyteller. "Maggie May" is a classic today, but it didn't seem that way at the time. "Mickey Waller turned up with only half a drum kit," Stewart recalled in the liner notes to the Storytellerbox set, "and had to borrow the rest from the other bands in the studio." It was Waller who made the sessions so memorable. The session featured a murderer's row of talent: Quittenton, who kicked off the track with a stirring acoustic solo (known as "Henry") two of Rod's Faces bandmates, Ronnie Wood on bass and Ian McLagan on hammond organ Ray Jackson of folk-rock outfit Lindisfarme on mandolin ("The name slips my mind," cracked the liner notes) Peter Sears, later of Jefferson Starship, on celeste and session legend Mickey Waller (Jeff Beck Group) on drums. How much older, I can't tell you - but old enough to be highly disappointed by the brevity of the experience." The song came together in a jam with Steamhammer guitarist Martin Quittenton, when Stewart was inspired by the British folk tune "Maggie Mae," which had recently closed the first side of The Beatles' final album Let It Be. "And there on a secluded patch of grass, I lost my not-remotely-prized virginity with an older (and larger) woman who'd come on to me very strongly in the beer tent. I'd snuck in with some mates via an overflow sewage pipe," he wrote in his 2012 autobiography. "At 16, I went to the Beaulieu Jazz Festival in the New Forest. Astoundingly, the song is based on a true story: a decade prior, the British rocker was at a concert when one thing led to another. Recorded for Rod's third album Every Picture Tells a Story, "Maggie May" is the not-so-romantic tale of a schoolboy struggling after getting intimate with a considerably older woman.
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